Hey Paris, Dion Says You Got a Friend
I still remember when Neil Young, in direct response to students killed by the National Guard at Kent University during the Vietnam War, wrote a song, “Ohio,” that was pressed as a single within a couple months of its creation.
Considered speedy in 1970, that time period from conception to release would be considered downright slothful these days. Witness ”Hey Paris, a new song by Dion addressed to Ms. Hilton.
For those of you who don’t remember, Dion was an early teen star, sometimes with the Belmonts, beginning in the late 1950s with “A Teenager in Love,” “The Wanderer” and “Ruby Baby” and later with the landmark hit “Abraham, Martin and John.”
Now a well-preserved 67, Dion once wrote a song called “Runaround Sue,” about a girl who, once she captures your very soul, turns your heart upside down and “goes out with other guys." And having been around the block once or twice when it comes to fame and the handling of such, he is in a good position to offer a bit of elderly advice for Paris Hilton: “Steady, girl!”
“You got a friend till the very end
I’ll stand by you
I’ll pray for you
I’m looking out for you”
“Hey Paris” is the essence of internet D.I.Y. culture. You can see the sheet of paper with the lyrics in front of him and watch him turn on the rhythm machine. He knows this might give him a little exposure, but he’s smart enough to know that it’s not worth making a record or any more of a fuss about.
Which makes it perfect youtube fodder. As a longtime fan, I wondered what else I could find out about Dion with youtube. Typing Dion into youtube’s search engine, the first pages of entries were devoted to Celine Dion – imagine that? -- so I changed to Dion Dimucci, his real name.
That coughed up a digital goldmine. First up was a rocking three-minute snippet from a 2006 live set in Red Bank, New Jersey, of “Drip Drop,” one of my favorite, if less known, Dion and the Belmonts tunes.
There were representative videos from every stage of his career. An American Bandstand performance of “A Teenager in Love” shows the consummate onstage ease and cool style that characterized his teen-star years and carries over into the Hilton performance. That's a fifty-year span.
By 1964, Dion tired of teen fare and began recording blues standards, and the hits went away. He apparently developed and quit a drug habit before returning with “Abraham, Martin and John,” which resounded with the anti-war sentiment making its way across the country. I couldn’t find a Smothers Brothers Show clip of “Abraham, Martin and John” that made a big impression on me in 1968 -- it was the first time I remembered seeing someone perform a hit with an acoustic guitar. But this clip from a 1988 Arsenio Hall Show includes Dion’s brief, funny history of 1950’s and 1960’s music and a great solo acoustic performance of the song.
Dion, who last year released Bronx in Blue, a fine album of blues standards, has been extremely consistent in regards to the origins of his music. He grew up before rock, with blues and country music, which he saw as two sides of the same coin. It is as easy to hear those connections in “Ruby Baby” as it is in “Hey Paris.” He tells how he learned blues from a janitor named Little Willie and from listening to Hank Williams records, punctuating his points with a guitar, in this 1988 clip from Little Art’s Poker Party .
My favorite clip is from a 1988 Grammy performance in which Dion casually fronts “A Teenager in Love” with a vocal chorus that includes Buster Poindexter, Ruben Blades, Lou Reed and a clutch of doo wop groups.” It is the essence of Dion-ness, the gracefully aging star equally bemused and flattered by the attention as he belts out his teenage song almost thirty years down the road. Pay attention, Ms. Hilton, this guy knows whereof he speaks.
p.s. Dion also inadvertently participated in perhaps the greatest moment in the busking career of the Soldiers of Love, in the early nineteen nineties on the Boulder Mall. One of our all-time music heroes, the late and great Doug Sahm, walked past us and threw in a dollar. Gil and I started up “Teenager in Love,” a Mall staple, and when we got to the chorus, we sing, “why must I be a baby boomer in love?” At which Doug turned around, rocked back on his heels and grinned at us before walking on. Perfect moment!