R. Dunbar and the Great Flaming Ember Hoax
In the fall of 1969, I entered Concordia Teacher's College in Seward, Nebraska. After leaving the ministerial program for teacher training, I needed some classes to get my degree.
It was a time of great upheaval in America, and it was no different even out on the Great Plains. I quickly fell in with the anti-war crowd and other people as obsessive about music as I was. In many cases, they were the same, and in 1969, pretty easy to pick out in a conservative Lutheran college in a farming community in central Nebraska. We all stuck out, something I would learn very quickly when I took a job as bartender in a redneck Seward tavern.
One of those friends was Ray Dunbar. Coming outta Detroit, Ray was a rather large fellow, 250-plus pounds, and he was as charismatic and charming as he was huge. He also played guitar and was – at least to me at the time, with his girth and his fingerpicking skills -- a white teenage B.B. King when he plugged in his axe.
I had just picked up a guitar for the first time that spring, so anybody who could play better than me (and that included pretty much everyone) was considered a guitar god. Ray and I quickly became music pals. I’d go up to his room to shoot the shit about music and play rhythm guitar at which he could throw lead figures. How many hours did I repeat the Em-A figure upon which “Cowgirl in the Sand” is based on my acoustic guitar while Ray peeled mighty notes out of his electric?
One time I was in his room, and he showed me a copy of a single, “Mind, Body and Soul,” by a group I had never heard of, Flaming Ember. It was on Hot Wax Records, a small Detroit label. And, Ray said in passing, he was co-writer and producer of the song. I looked at the single, and sure enough, there was a credit on the label as co-songwriter: “R. Dunbar/ E. Wayne, and a sole production credit for R. Dunbar.
I thought that was cool, and didn’t think much more about it.
Then something happened. The single, not surprisingly, since it is catchy beyond belief, became a hit on the national charts. “Mind, Body and Soul” was soul pop music that just totally knocked me out. “Are you digging ‘Mind, Body and Soul?’ Well, it’s #36 on the Billboard charts, and one of my best friends wrote and produced it,” I gushed to my friend Frank Kresen in a letter dated December 2, 1969. “This guy is a genius with music, beautiful lead guitar.”
“Mind, Body and Soul” eventually reached #26 on Billboard’s charts in November of 1969. And so it was that Ray Dunbar became a celebrity on the campus of Concordia Lutheran College. I was proud to be his friend and to be able to provide that Em-A so he could wail on his electric guitar for twenty minutes at a time.
Ray tried to play live in the Seward area, and he performed a couple of times down at Heumann's, the redneck bar that had become a college hangout in the months after I started working, and we drove to Lincoln one night to watch him play in a club there.
Not long after I bought a single by a group that called itself Chairmen of the Board. “Give Me Just a Little More Time” was another melodic soul-pop number with a stuttering singer named General Johnson. By this time, my habit was to read all the information on the label. One thing caught my attention immediately.
It was written by R. Dunbar/E. Wayne.
Equally curious and annoyed, but more the latter. I took the single up to his room, showed it to him and asked the obvious question.
“Did you write this one, too, Ray?”
He quickly fessed up. He found the single, he said, saw the name and brought it out to Seward with him. Who would know? Once the momentum began building, he said, he just couldn’t resist soaking up the adulation. It wasn't long before everyone on campus knew of the deception.
“‘Give Me Just a Little More Time’ was written by R. Dunbar and E. Wayne, the same team that wrote ‘Mind Body and Soul,’ I informed Frank a couple months later. "My friend, Ray Dunbar, confessed that he didn’t write it. It was a giant hoax. (This is hoax time, it seems.) But it’s still a good record.”
I have tried to ascertain who actually comprised the Dunbar/Wayne team, and there is still some confusion. R. Dunbar seems to have been Ronald Dunbar, and E. Wayne was Edith Wayne, a pseudonym for Lamont Dozier and Brian and Edward Holland, the talented writing/production team responsible for many Motown hits of the mid-1960s.
"Mind, Body and Soul" came out on Hot Wax Records, and "Give Me Just a Little More Time" on Invictus, two labels owned by the songwriters and producers, who had left Motown in a money dispute and likely had to use the fake names because they were involved in litigation with Berry Gordy over their departure.
Some question whether Ron Dunbar actually existed. Freda Payne, for whom the same team wrote "Band of Gold," claims he was real and contributed to the songs. Others claim both songs are the work of Holland/Dozier/Holland. Both have the sound and feel of HDH, and it's easy to question why they would let a staff producer helm their first singles after the break from Motown. But it is possible.
One message-board post said that there is an as-yet-unreleased version of "Give Me Just a Little More Time" by the Four Tops, who were produced by HDH. (Would I love to hear Levi sing that one.)
Whatever the reality of the credits, the two songs are still sterling examples of 1960s soul music.